
The Sarajevo Film Festival, a cornerstone of cinematic celebration in Southeast Europe, has unveiled its distinguished jury for the upcoming feature film competition, headlined by acclaimed British actress Emily Watson. Joining Watson in the crucial task of evaluating this year’s cinematic offerings are prominent figures from the international film community, including Matthijs Wouter Knol, Director of the European Film Academy, and Athina Rachel Tsangari, a celebrated producer known for her work with Yorgos Lanthimos. The jury also features the insightful directorial vision of Igor Bezinović and the emerging talent of actress Sara Klimoska. Together, this formidable panel will preside over the festival’s main competition, culminating in the awarding of the coveted Heart of Sarajevo Awards on August 21st.
The Sarajevo Film Festival, now in its 30th year, has consistently positioned itself as a vital platform for discovering and nurturing new cinematic voices, particularly from Eastern and Southeastern Europe. Established in 1995 during the siege of Sarajevo as an act of defiance and cultural resilience, the festival has grown into one of the most significant film events in Europe, attracting international filmmakers, industry professionals, and a passionate audience. Its commitment to showcasing diverse perspectives and fostering dialogue through cinema has cemented its reputation as a must-attend event for anyone invested in the art form. This year’s jury selection underscores the festival’s continued dedication to bringing together individuals with a profound understanding and appreciation for filmmaking at the highest level.
A Jury of Global Acclaim and Diverse Expertise
Emily Watson, a two-time Academy Award nominee, brings a wealth of experience and critical acclaim to her role as jury president. Her career, spanning decades, is marked by powerful and nuanced performances in a diverse range of films. Most recently, Watson captivated audiences as Mary Shakespeare in Chloë Zhao’s highly anticipated adaptation of Maggie O’Farrell’s novel, Hamnet. Her filmography boasts iconic roles in Lars von Trier’s Breaking the Waves, the A24 hit God’s Creatures alongside Paul Mescal, Small Things Like These, the Netflix drama Steve, and the Oscar-winning ensemble piece Gosford Park. On the television front, Watson currently commands the screen as a lead in the HBO/Max series Dune: Prophecy and has recently completed filming for its second season, demonstrating her enduring relevance and versatility across mediums. Her presence as jury president is a testament to her standing within the global film industry.
Joining Watson is Matthijs Wouter Knol, a highly respected figure in European cinema. As the CEO and Director of the European Film Academy since 2021, Knol is instrumental in shaping the future of European filmmaking through strategic leadership, programming, and initiatives aimed at fostering knowledge sharing and preserving film heritage. His responsibilities encompass the executive management and vision for the Academy, including the prestigious European Film Awards. Knol’s extensive experience as a film producer, lecturer, editor, and journalist, coupled with his service on main juries at esteemed festivals such as Buenos Aires, Jerusalem, Istanbul, and Locarno, makes him an invaluable addition to the Sarajevo jury. His insights into the broader European cinematic landscape will undoubtedly enrich the judging process.
Athina Rachel Tsangari, a prominent Greek director, screenwriter, and producer, is recognized as a key architect of the Greek New Wave. Her films are celebrated for their innovative exploration of power dynamics and desire across gender, class, and alterity. Her debut feature, The Slow Business of Going (2001), a science-fiction road movie shot in hotel rooms across nine cities, garnered international acclaim and is now part of MoMA’s permanent film collection. Her sophomore feature, Attenberg (2010), premiered in competition at the Venice Film Festival, securing the Coppa Volpi and the Lina Mangiacapre Directing Award. Chevalier (2015) further solidified her reputation, winning best film at the BFI London Film Festival and earning an Independent Spirit Award nomination for best foreign film. Both Attenberg and Chevalier were Greece’s official submissions for the Academy Award for Best International Feature Film. Through her Athens-based company Haos Film, Tsangari has produced critically acclaimed works, including Yorgos Lanthimos’s Kinetta and Alps, Georgis Grigorakis’s Digger, and served as co-producer on Richard Linklater’s Before Midnight. Her latest directorial effort, the neo-western Harvest, starring Caleb Landry Jones and Harry Melling, premiered at Venice in 2024, showcasing her continued artistic evolution.
The jury is further bolstered by the inclusion of Igor Bezinović, a Croatian filmmaker whose work has garnered significant international recognition. Bezinović is particularly noted for his 2025 film Fiume o morte!, which swept awards circuits, including the European Film Award for Best Documentary, and multiple AFA Awards (Adriatic Film & TV Awards) for best film, best director, and best screenplay. His earlier documentary works, The Blockade (2012) and Veruda – A Film About Bojan (2015), both received the Oktavijan Award for Best Croatian Documentary Film. His debut feature, A Brief Excursion (2017), premiered at the Rotterdam Film Festival and went on to win the Grand Golden Arena for Best Film at the Pula Film Festival, highlighting his impressive trajectory as a narrative filmmaker.
Completing the jury is Sara Klimoska, an actress from North Macedonia whose talent is gaining international traction. Her most recent leading role is in Milcho Manchevski’s upcoming film Sister Brother Manhole Cover, slated for a 2026 premiere. This collaboration marks Klimoska’s third with the acclaimed director, following her appearances in Willow and Kaymak. Her international credits include Goran Stolevski’s You Won’t Be Alone, which premiered at Sundance, and Housekeeping for Beginners, screened at the Venice Film Festival. Klimoska has also demonstrated her potential on the international stage with roles in Eline Gehring’s Nico, Malik Vitthal’s Family Secrets, and Jason Lester’s Replay. Her prior engagement with the Sarajevo Film Festival, as a participant in the Talents Sarajevo program, and her nomination for the Heart of Sarajevo award in 2022 for her role in the TV series Underneath, underscore her strong connection to the festival and her promising future in cinema.
A Tradition of Jurists Shaping Cinematic Discourse
The Sarajevo Film Festival has a rich history of appointing influential figures to lead its juries, individuals who have not only shaped cinematic history but also championed emerging talent. Past jury presidents include luminaries such as Mike Leigh, known for his socially incisive dramas; Jeremy Irons, a distinguished actor with a career spanning decades; Asghar Farhadi, a master of Iranian cinema and multiple Oscar winner; Ruben Östlund, the celebrated Swedish director behind Palme d’Or winners; and Mia Wasikowska, a critically acclaimed actress. This tradition of selecting jurists with diverse backgrounds and profound cinematic knowledge ensures that the competition remains a rigorous and insightful exploration of contemporary filmmaking. The inclusion of Watson and her fellow jurors continues this esteemed legacy, promising a discerning and thoughtful evaluation of the films presented.
The Heart of Sarajevo Awards: Recognizing Excellence
The culmination of the feature film competition will be the awarding of the Heart of Sarajevo Awards, the festival’s highest honors, during a ceremony scheduled for August 21st. These awards are highly coveted within the film industry, serving as a significant endorsement for emerging and established filmmakers alike. The Heart of Sarajevo has become synonymous with quality and artistic merit, often providing a crucial boost to a film’s international career. The jury’s deliberations will undoubtedly be intense, given the caliber of films expected to be in contention and the diverse perspectives brought by the esteemed panel.
Festival Context and Strategic Importance
The Sarajevo Film Festival’s feature film competition serves as a crucial platform for both established and emerging filmmakers, with a particular focus on cinema from Eastern and Southeastern Europe. The festival provides a vital marketplace for co-production, distribution, and networking, playing a significant role in the international promotion of regional cinema. For many filmmakers, premiering a film at Sarajevo offers invaluable exposure and the opportunity to connect with global industry players. The festival’s commitment to fostering cultural exchange and understanding through film is more critical than ever in a region with a complex and often challenging history. The jury’s decisions this year will not only recognize artistic achievement but also contribute to the ongoing narrative of European cinema.
The inclusion of individuals like Matthijs Wouter Knol, with his deep understanding of the European film landscape and his leadership at the European Film Academy, highlights the festival’s strategic importance within the broader European cinematic ecosystem. His presence signals a continued commitment to strengthening ties and promoting collaboration across the continent. Similarly, Athina Rachel Tsangari’s role as a producer and director with a distinct artistic vision underscores the festival’s appeal to avant-garde and boundary-pushing filmmakers. Her background in nurturing unique cinematic voices resonates with Sarajevo’s mission to champion originality and artistic integrity.
The participation of Igor Bezinović and Sara Klimoska also reflects the festival’s dedication to showcasing the vibrant and evolving talent within the Balkan region and beyond. Bezinović’s recent accolades for his documentary work suggest a keen eye for compelling narratives and innovative storytelling, qualities that will undoubtedly be valuable in judging narrative features. Klimoska, as a rising actress with international credits, brings a performer’s perspective and an understanding of the craft from an on-screen standpoint. Her previous engagement with Talents Sarajevo further emphasizes the festival’s role in cultivating the next generation of filmmakers and industry professionals.
The timeline for the Sarajevo Film Festival typically places its main events in mid-August, with the festival running for approximately a week. This year’s competition will unfold over this period, allowing ample time for screenings, discussions, and the jury’s thorough evaluation. The culmination on August 21st with the Heart of Sarajevo Awards ceremony will mark the official closing of the festival’s competitive program, providing a celebratory conclusion to a week dedicated to the art of filmmaking.
Broader Impact and Future Implications
The selection of such a high-profile jury for the Sarajevo Film Festival’s feature film competition carries significant implications. It amplifies the festival’s international prestige and attractiveness, potentially drawing more submissions of exceptional quality in future years. The presence of figures like Emily Watson and Matthijs Wouter Knol offers a powerful endorsement of the festival’s standing and its commitment to artistic excellence. Furthermore, the jury’s diverse expertise—spanning acting, directing, producing, and institutional leadership—ensures a multifaceted approach to film evaluation, reflecting the complex nature of cinematic creation.
The Heart of Sarajevo Awards themselves have a tangible impact on the careers of the recipients. Films that win or are recognized at Sarajevo often gain international distribution, secure further festival invitations, and attract critical attention, paving the way for future projects. This year’s jury, with its collective experience and influence, is poised to identify and champion films that resonate with contemporary audiences and contribute meaningfully to the global cinematic conversation. The festival’s continued success in attracting such talent and its role in shaping the careers of filmmakers underscore its vital importance in the international film calendar. The decisions made by this esteemed jury will undoubtedly be closely watched by the film world, offering insights into the current trends and emerging talents within the feature film landscape.


